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10 years of Jab We Met: What happened to Geet and Aditya after Mauja Hi Mauja? Here’s what Imtiaz Ali reveals
Jab We Met executive Imtiaz Ali: Even after a decade, people adore its simplicity
It was 10 years ago that ‘Jab We Met’ came into a lives yet interjection to consistent reminders of a existence by mixed Hindi film channels, a film hasn’t transient a mind. Over a years, this film has gained cult standing in a universe of Hindi regretful comedies and can simply be addressed as a many precious adore story given 1995’s ‘Dilwale Dulhania Le Jayenge’. When Imtiaz Ali done his second underline film, he was revelation a story of a lady that we all seemed to know. The lady who talks too much, a lady who is always prepared to run, yet a lady is indeed an iceberg. We see usually a fragment of what she indeed is. She doesn’t need to fruit to recite philosophical quotes yet utters out pearls of knowledge even when she’s stranded in a grubby hotel with a stranger.
With this girl, Imtiaz Ali gave a whole era a lady who was simply identifiable usually given she was everywhere around us.
While ‘Jab We Met’ can be viewed as a adore story, it talks about a many insecurities that people understanding with, most like Imtiaz’s other films. Aditya (Shahid Kapoor) is struggling to get himself together after a bad mangle adult and a ray of fever in a form of a intense lady usually changes his notice of life. Geet (Kareena Kapoor Khan) has a devise in her life and even yet it’s short-sighted, she believes in it until it explodes in her face. Her tour from afterwards on, is what creates her a plausible person. A lady who becomes a life of a celebration on her good days yet is substantially seen celebration alone with a cigarette in her palm on her bad ones.
But what is it that creates ‘Jab We Met’ click even 10 years after a release?
The initial distinguished thing that this author beheld about ‘Jab We Met’ behind in 2007 was a film’s dialogues. The use of local denunciation competence have turn common use now, yet behind then, it felt refreshing. Prior to this, there were usually a handful of films whose characters spoke a denunciation that we and we use in unchanging conversation. The film’s organic upsurge of dialogues combined to a healthy interest of a characters and that was what done them real. We mostly pronounce about realism in films yet isn’t creation your characters pronounce a denunciation your assembly speaks a initial step in achieving that? Geet’s difficulty over a disproportion between plateau and hills and Aditya’s exasperation over Geet’s never finale chitchat doesn’t feel over a tip given they uttered it in difference that could have been pronounced by anyone sitting in a audience.
The film is constantly on a pierce and never lets a assembly settle in and with that, it keeps us invested. ‘Jab We Met’ has a moments where it delves low into a psychology of a characters. Like a stage when Aditya drops Geet off during her finish in Manali, his countenance reveals a container that has usually been carried off his chest. Or a impulse when Geet is using divided from her home and is stealing out on a patio and compares life to a game. It is with moments like these that ‘Jab We Met’ never gets reduced to usually a adore story yet a deeper explanation on life’s philosophies.
The families of both these protagonists make them a characters they are. While Aditya comes from an civic domicile where his mom left his father for another man, Geet comes from a tighten weave congenital family. Aditya finds it tough to accept that his mom could tumble in adore with another male who wasn’t his father and Geet finds it totally excusable to make a dope out of a man who she has met for an organised matrimony proposal.
Imtiaz Ali strike a masterstroke when he expel this film with actors who were usually ideal for their parts. Anshuman (Tarun Arora) gives a sense of a child who will never finish adult with Geet and gives us adequate reason to trust as to because he shouldn’t. Pavan Malhota plays Geet’s uncle and his disappointment in not anticipating his niece is manifest in each moment. Even actors like Teddy Maurya (who plays a receptionist during Hotel Decent), Brijendra Kala (who wouldn’t speed adult his taxi), Kishore Pradhan (who believes ‘ek ladki khuli tijori ki tarah hoti hai’) were so good for their roles that they remonstrate we on each observation that no one could have played that purpose improved than them.
Another resplendent cause for this film is a music. With Pritam, it’s strain was catchy, renouned and has even stood a exam of time with an manuscript that delivers for each probable mood.
‘Jab We Met’ was a final nearby ideal rom-com by Bollywood given DDLJ in 1995 and we’re still watchful for another one that will follow in a footsteps and be a adore story that we can rewatch for ages.