‘Blood Road': Film Review

Endurance athletes Rebecca Rusch and Huyen Nguyen bike a Ho Chi Minh route in Nicholas Schrunk’s doc.

An American contestant decides to bike a Ho Chi Minh route in Nicholas Schrunk’s doc Blood Road, enlisting a Vietnamese cyclist and a support organisation in her try to revisit a site where, when she was 3 years old, her father was shot down on a bombing run in a Vietnam War. Ensuring that his comment provides all a sensuous vistas and sympathetic depletion approaching in such a travelogue, Schrunk is reduction successful in creation Rebecca Rusch’s personal motives seem movie-worthy. In fact, some viewers will be finished ill by differentials in resources and payoff between a contestant and those around her. Though it will expected find adequate outdoorsy moviegoers to support a debate of melodramatic bookings, many enthusiasts will find a doc on tiny screens.

Rusch went many of her life not meaningful if her father, Air Force Captain Stephen Rusch, even died in a war. The site of his pile-up in Laos wasn’t found until 2003; his stays went unclear until 2007. In 2015, a distinguished globe-hopping contestant motionless to make a pile-up site a concentration of a roughly 1,200-mile cycling trek by Southeast Asia.

She intends to arrive during that farming site by a anniversary of her father’s death, a sentimental, capricious idea that does small to supplement play to a film. Similarly, while a excursion contains exhausting sections and some rude primer labor — like hauling bikes, boats and rigging by a dry tools of a stream outing — there’s never any doubt that Rusch will be means to get from her start in Northern Vietnam to a finish line in Ho Chi Minh City.

What does supply tellurian seductiveness is Rusch’s attribute with Huyen Nguyen, a champion Vietnamese cyclist hired to be her translator/partner on a ride. Less driven and some-more emotionally open than Rusch, Nguyen sensitively accepts her clarity of goal and attempts to cater her on their prolonged days pedaling alongside one another.

With onscreen graphics pointy adequate for an A-list documentary, a film intermittently addresses a story of America’s impasse in Vietnam and reads from Stephen Rusch’s letters home. As we soar over a cyclists’ heads, looking down on earth that was incited to Swiss cheese by American bombing, some viewers competence see a dignified undo here: The film doesn’t know what to do with a fact that a intent of reverence, Captain Rusch, is obliged for a scars on this land, a maimed people Rebecca Rusch passes on her bike, a unexploded bidding that still threatens a lives of children during play.

In his letters home, Rusch certified that he saw no reason for this killing, and had to justify dropping bombs and napalm on a Ho Chi Minh trail. As we watch his daughter bike adult hills and poke around in other people’s yards, one competence consternation if a improved approach of joining with her absent father competence be to put a bike divided and assistance crews purify adult a still-lethal disaster he left behind.

A pretension label only before a shutting credits suggests she has begun to do something of a sort, starting a cycling-tourist module that helps account explosve removal. That’s praiseworthy. But for many of a using time, Blood Road seems to consider one American’s romantic closure matters some-more than a durability repairs finished in a countries she has left to visit.

Production company: Red Bull Media House
Director: Nicholas Schrunk
Screenwriter: Mark Anders
Producer: Sandra Kuhn
Executive producers: Scotty Bradfield, Ben Bryan, Charlie Rosene
Directors of photography: Sean Aaron, David Mavro, Robert J.D. Spaulding
Music:
Matt Bowen, Keith Kenniff, Jordan Sudak
Editor: Emad Abi-Hashim

95 minutes

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