Hwang Jung-min and Jung Woo co-star in Lee Seok-hoon’s restaging of ancestral events from a annals of South Korean mountaineering.
A new spate of films on mountaineering in a Himalayas, including this year’s star-studded Everest, a 2014 doc K2 Siren of a Himalayas and Meru, now shortlisted for a underline documentary Oscar, gets a nauseating turn from South Korean journey play The Himalayas. Distributor CJ party has sealed in dozens of general territories where a film should find a satisfactory foothold after what’s expected to be a strong domestic opening this weekend, nonetheless response in a US might be pale by a miss of laxity with a lead actors and substantial box bureau competition.
Based on tangible events, Lee Seok-hoon’s (Dancing Queen) underline marks a careers of a span of South Korean climbers who accommodate underneath unlucky (and rather ironic) circumstances. Daemyung University alpinists Park Moo-taek (Jung Woo) and his climbing partner Park Jung-bok (Kim In-kwon) initial confront mythological mountaineer Um Hong-gil (Hwang Jung-min) as they’re forward a rise in Nepal hauling a physique of a team-member who died on their trek. Astounded by a amateurs’ miss of ability and bad visualisation on a peak, Um helps them deplane and warns a immature group to give adult climbing for good if they design to live most longer.
Read some-more ‘C’est Si Bon’: Film Review
A few years later, as Um assembles a group to scale Kanchenjunga, a world’s third-highest towering located on a India-Nepal border, Moo-taek and Jung-bok desire to join a climb, though usually after severe training and contrast does group captain Hong-gil relent. Like many a Himalayan expedition, their stand is undone by brutally bad weather, consisting of subzero temperatures and relentless blizzards. Attempting a limit bid with usually a integrate of Sherpa guides, even maestro alpinist Hong-gil roughly gets forced back, before Moo-taek ascends from an allege bottom stay and helps him pull adult to a peak.
Their successful stand inspires a span to continue scaling some of a world’s tallest plateau together, culminating in an epic stand of Mt. Everest, after that Hong-gil retires due to a leg injury. Moo-taek continues heading teams adult remote and fraudulent peaks, though when he gets stranded on Everest in 2004 with a integrate of other climbers and perishes from exposure, Hong-gil emerges from retirement and reassembles his speed group in an try to collect Moo-taek’s physique from a mountain’s oxygen-deprived “death zone” above 26,000 feet.
With a relentlessly upbeat importance on intercourse and visit emotionality, traits some-more mostly compared with friend comedies and romances rather than journey epics, The Himalayas might have dynamic a new micro-genre: a mountaineering melodrama. Screenwriter Suo Jieun-min appears dynamic to wring each final giggle and rip from events that transfixed South Koreans in 2004, when Park died on a rise with his associate climbers before Um done an drastic try to collect a bodies from nearby a limit of a mountain, a same staggeringly severe territory of a speed track that was distant some-more dramatically portrayed in Everest.
Hwang (Veteran, Ode to My Father) and Jung (C’est Si Bon) arrangement a prepared rapport, though conjunction is quite convincing as a hardened mountaineer. Their interactions in frequent, humorously lightsome scenes seem quite out of place, stuffing a using time out to an enervating dual hours. Lee creates a convincing transition from directing comedy, though relies too frequently on sub-par special effects and feeble staged reenactments that usually inconsistently siphon adult a action.
Production companies: JK Films, CJ Entertainment
Distributor: CJ Entertainment
Cast: Hwang Jung-min, Jung Woo, Cho Seong-ha, Kim In-kwon, Ra Mi-ran
Director: Lee Seok-hoon
Screenwriter: Suo Jieun-min
Producer: JK Youn
Executive producer: Jeong Tae-sung
Directors of photography: Kim Tae-sung, Hong Seung-hyuk
Production designer: Park Il-hyun
Costume designer:Kim Eun-suk
Editor: Lee Jin
Music: Sang Jun-hwang
Not Rated, 124 minutes