Reel moments of Reema Lagoo

In this magisterial multi-starrer from a Barjatya banner, Lagoo played a Kaikeyi-like mom who, in an bid to safeguard her son’s future, tears her family apart.

Maine Pyar Kiya: Reema Lagoo had already been in a Hindi film attention for a few years, when she got a purpose in this film as protagonist Prem’s (Salman Khan) doting mother. While a actor had already played a mom in Qayamat Se Qayamat Tak, her purpose as a usually one who accepted her son’s adore for Suman, determined Lagoo as a ultimate Hindi film mom for a whole new era of moviegoers. Hum Saath Saath Hain: In this magisterial multi-starrer from a Barjatya banner, Lagoo played a Kaikeyi-like mom who, in an bid to safeguard her son’s future, tears her family apart. It could have been a one-note mean role, though for Lagoo’s enormously sensitive participation and her talent for subtly conveying a inner conflicts of a character.

Rihaee: In this film, destined by Aruna Raje and one of Lagoo’s early projects in a Hindi film industry, a actor played a purpose that her after standing as Bollywood’s much-beloved mom would substantially never have authorised her to play. Lagoo combined most heart and humour to her description of a encampment lady who pursues passionate achievement outward her matrimony and done an differently tiny purpose memorable.

Kal Ho Naa Ho: With a other mom in a film, played by Jaya Bachchan, carrying a meatier partial to play, Lagoo, who played Aman’s (Shah Rukh Khan) mother, usually had a few scenes in that to communicate a stoic beauty and strength of a lady who knows her usually child is about to die. But so totally did Lagoo live this impression that it is deliberate one of her best performances in Hindi films.

Shriman Shrimati: In this renouned ’90s sitcom, Lagoo played Kokila, aka Kokiji, a clever no-nonsense housewife who becomes a reluctant intent of love for her new neighbour, Dilruba (Rakesh Bedi). Lagoo’s stellar opening in this uncover due as most to her chemistry with her co-stars, as to her possess exquisite comic timing.

Vaastav: With Sanjay Dutt personification a irremediable son and Lagoo personification a mom who has to kill him, this Mahesh Manjrekar directed-film had some-more than only an relate of Nargis Dutt’s Mother India. But Lagoo hammered a purpose with her possess authority, delivering a heart-wrenching opening in a consummate .

Tu Tu Main Main: Before radio was taken over by manipulative mothers-in-law who were henceforth dressed to kill, there was Devaki Verma, whose companionable, if overly-competitive and sniping, attribute with her bahu (Supriya Pilagaonkar) supposing most comic fodder. Thanks to Lagoo’s on-point performance, this purpose was a remedy opposite a bolt of overtly-sentimental mom roles in film and television.

Naamkaran: Lagoo had a tasty purpose as a evil, shaping mom Dayawanti in this uncover formed on Mahesh Bhatt’s 1998 film, Zakhm. It was a closest that Lagoo came to personification a manipulative mama so desired by stream television, and was neatly anomalous from a mom roles she had played.

Purush: In this Marathi play, Lagoo played an maudlin propagandize clergyman and anti-caste romantic who seeks reprisal on a politician after he rapes her and turns her life upside down. The actor common a theatre with brave performers such as Nana Patekar and Chandrakant Gokhale, though hold her possess with a absolute performance.

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