Journey into a Dark


Shanker Rahman, shanker Rahman Thriller, Shanker Rahman film screening, Indian Express film club, Indian Express 
Shanker Rahman, shanker Rahman Thriller, Shanker Rahman film screening, Indian Express film club, Indian Express  The Indian Express film censor Shubhra Gupta with actors of a film.

At Mumbai’s G5A Foundation, Shanker Rahman’s thriller Gurgaon saw a full residence during a film screening hosted by The Indian Express Film Club. While Shubhra Gupta, The Indian Express film critic, helmed a conversations for a evening, actors from a film — Akshay Oberoi and Ragini Khanna — interacted with a audience, and answered questions.

“The film speaks about how lands get colonised by people and a kind of cost we compensate for it. Human beings are a miserly garland and some-more mostly than not we act out of fervour and not need as is shown in this film,” pronounced Gupta, “When we step out of a Delhi and get into Haryana, what we see are these high buildings and swanky farmhouses. They are all sitting on land that was once timberland and H2O that had animals.”

The film, that was expelled final year, has Pankaj Tripathi as a protagonist is Kehri Singh. A genuine estate tycoon, he considers his adopted daughter his propitious charm. The threat of patriarchy is shown where Tripathi kills his baby daughter. Later, on a recommendation of a sage, he adopts a womanlike child, Preeti Singh (played by Khanna), to grasp success. Oberoi, who plays Nikki Singh, is a fighter and a erring son of Kehri. He loses a gamble and kidnaps his sister to repay his debt.

“The film’s finish is something we consider about so much,” pronounced Gupta, “I have had people contend it is a joyless film as it leads us into paths that we don’t indispensably wish to travel. It is a formidable watch.” Speaking of a consummate of a film, where Karma Devi, who plays Singh’s mom uncharacteristically kills her son, Khanna said, “The consummate of a film was special. We altered a book to embody that stage since that’s a karmic probity of this boy.”

Talking about how a indicate of a film was about ‘what goes around, comes around’, Oberoi said, “The son wants to infer his father wrong via a film. we like that a mom kills him, since it is a initial and usually time she puts her feet down. She saw her father turn a beast and can’t see a son apropos that, too.”

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